ABOUT
Carolina Rapezzi is an Italian freelance photographer based in London who works on social, humanitarian and environmental issues.
She started working on migration issues in 2015, documenting the welcoming systems for minors arriving from Libya on the Sicilian coasts ("Minors on the Move" September 2015) and, after a few months, began a project that lasted eight months following the eviction of the refugee camp of Calais, France (“The Eviction” March-October 2016).
Moved to London in 2013, she photographs various protest movements, including those on the Brexit Referendum and the more recent Black Lives Matter. In 2017 she begins a long-term project on identity and gender ("It was meant to be" April 2017 - 2020).
In November 2017 she travels to Russia to follow the celebrations of the 100th anniversary of the Russian revolution between St. Petersburg and Moscow ("1917-2017" November 2017) and since 2018, with the climate emergency, she focuses on environmental issues with a story on the e-waste disposal system ("Burning Dreams" October 2018 - November 2019).
Awards and Exhibitions
Siena International Photo Award 2020 | Winner 3rd place Storyboard
Sony World Photography Award 2020 | Shortlisted Environment
World Water Day Photo Contest 2020 | Winner 2nd Place Storytelling and 4th Place Climate Change
LensCulture Art Photography Award 2019 | Winner 1st place Single Image
Flash Forward Award 2019 | Winner
Portrait of Humanity 2019 | Shortlisted
Exhibition “Nothing is Real” at Bellezze Interiori Festival 2020, Como Italy
Exhibition at Hotel Burgas Studio, Vienna Austria
Exhibition at Galerie Joseph, Paris (Paris Photo)
Exhibition at UAL Showroom, London 2016
Exhibition at Central Saint Martins for Part of Us Campaign London 2016
Exhibition at Croydon College in collaboration with Counterpoints Art, Refugee Week London 2016
Education and Development
WPPh 6x6 Global Talent Program Europe 2019
NikonNOOR masterclass participant Vienna 2019
Magnum Photos & BJP workshop Professional Practice and Editorial Assignments (London February 2018)
